Mahila Yakshagana: Where Women Become HeroesImage Gallery
Mudra in Kathakali: In Conversation with Kalamandala V.R. Venkitaraman Interview
Performing Chavittunatakam of KeralaVideo
Unboxing Bhavai: In Conversation with Prof. Mahesh ChampaklalInterview
Nuances of Bhavai with Prof. Mahesh ChampaklalVideo
The Tradition of Kuchipudi Dance-DramasLibrary Artifacts
MudiyettuLibrary Artifacts
Bhagavata Mela Nataka, Dance-Dramas of MelatturLibrary Artifacts
Yakshagana: The Performance Overview
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Dance drama

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Mahila Yakshagana: Where Women Become Heroes
Richa Bhavanam
in Image Gallery
Mudra in Kathakali: In Conversation with Kalamandala V.R. Venkitaraman
Surangama Lala Dasgupta
in Interview
Performing Chavittunatakam of Kerala
in Video
Unboxing Bhavai: In Conversation with Prof. Mahesh Champaklal
in Interview
Nuances of Bhavai with Prof. Mahesh Champaklal
in Video
The Tradition of Kuchipudi Dance-Dramas
Suni Kothari writes about Kuchipudi, its history and performative aspects.
in Library Artifacts
Mudiyettu
G. Venu writes about Mudiyettu, the music, costumes and performance of the ritual.
in Library Artifacts
Bhagavata Mela Nataka, Dance-Dramas of Melattur
in Library Artifacts
Yakshagana: The Performance
Manorama B.N.
Yakshagana is one of the most popular folk theatre forms of Karnataka. It is noted for its music, colourful costumes, vigorous dance movements, subtle expressions and extempore dialogues. Yakshagana has two main variations, each of which has many variations: Moodalapaya (the eastern form which is…
in Overview