Pankaja Sethi
This article illustrates the journey in the pursuit of kerang – the bark cloth of the Gadaba Adivasi women from Koraput district of south Odisha. It aims to record the last phase of bark cloth and the people who are still retaining it as a part of their ethnic identity. Kerang takes us to…
in Overview
Radhana Raheja
The Makhmali Way: The Technical Complexities of Velvet Handloom Weaving
After witnessing years of glory, in the 19th century the intricate and time-consuming art of silk velvet weaving came up against competition from velvet powerlooms, which led to its rapid decline…
in Article
Pallavi Deore
While there is much being planned in India in the field of urban development and urban regeneration with schemes such as HRIDAY and Smart Cities mission, there is little talk about the development of smaller towns such as Paithan. This article aims to highlight the potential of integrated…
in Article
Photographs
Sunrise, Assi Ghat, Varanasi
Naksha or design process: Naseem Ahmad at work
Graphed pattern for making jala, Shahjahan Ansari's workshop, Varanasi
Digitally produced design, Shahjahan Ansari's workshop, Varanasi
Pattern drawn on mica sheet, Naseem Ahmad's workshop,…
in Video
Overviews of history, materials and techniques (grouped thematically and by date)
Web-page on Banarasi Saree on the official website of Varanasi district
Web-page on Varanasi Saris, National Centre for Textile Design, Office of the Development Commissioner for…
in Article
A characteristic feature of the traditional brocades of Varanasi is the use of gold or silver zari along with coloured silks to create various motifs. The zari used for weaving is of a special kind and has been produced in Varanasi for centuries.
in Interview
Agrawal, Yashodhara. 2003. Silk Brocades. New Delhi: Roli Books.
Ali, Abdullah Yusuf. 1900. A Monograph on Silk Fabrics Produced in the Northwestern Provinces and Oudh. Allahabad: N.W. Provinces and Oudh Government Press.
Basole, Amit. 2016. 'Spare Change for Spare…
in Bibliography
In Varanasi, before the advent of jacquard looms, weaving was done on jala looms. A ‘jala’ is a kind of frame on which the design is first created using threads by nakshabands (pattern-makers). This is attached to the loom as a master harness. Some master weavers still use the…
in Interview