Saha Sutra

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Narayani Gupta
The past is in many ways a foreign country, and to walk through towns of the past slowly is an invigorating exercise. And there are those who can read them, see how they had grown. Some, such as Syed Ahmed Khan and Patrick Geddes, can use words vividly to conjure up other people in another time…
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B.N. Goswamy
If there was one family that ‘knew’ Chinese art, and collected it with passion, it was that of the Tatas of Bombay. Politics aside, objects from the neighbouring country were a matter of pride in India a century ago, writes Prof B.N. Goswamy. (In pic: Snuff bottle imitating carved lacquer,…
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B.N. Goswamy
Kasturbhai Lalbhai Museum in Gujarat has a varied collection of Jain artefacts and symbolisms of worship. Prof. B.N. Goswamy writes about how the museum offers a rare peak into the Jaina world of retreat and meditation. (In pic: Detail from a Tirtha pata, Gujarat, 1641 AD; Photo courtesy: The…
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Manan Kapoor
The Vellore Mutiny of 1806 is one of the earliest examples of India’s resistance against the British. Sahapedia takes a look at the revolt and its significance. (In pic: A painting showing sepoys from the Madras Army in the early 1800s; Photo courtesy: Wikimedia Commons)   The Mutiny of 1857 was a…
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Ardra NG
E.V. Ramasamy, popularly addressed as Periyar or ‘the Great One’, laid the ideological foundations of modern Tamil politics and social life. More than a century after he championed equal rights for low-caste communities and women, we take stock of his popular, but complex, legacy. (Photo courtesy:…
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Paromita Shastri
Built and renovated over five centuries, the Mysore Palace is official abode of the Wadiyar dynasty of the erstwhile kingdom of Mysore. It is one of the grandest and most popular public attractions in India. We look at its interesting and eventful history. (Photo courtesy: Pixabay) If there is one…
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Paromita Shastri
We look at the Qutub complex, which presents an amalgamation of several architectural styles in India—Persian, Arabic and Indian—that later came to be known as Indo-Saracenic. The famed Qutub Minar itself has braved natural calamities and disastrous preservation efforts to continue as one of India’…
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B.N. Goswamy
The paintings of foreigners during the colonial rule give an interesting insight into how they interacted with those from ‘the mysterious East’. Here, Prof B.N. Goswamy writes about paintings that emerged from the time, specifically from the court of Maharaja Ranjit Singh. (Photo courtesy: The…
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B.N. Goswamy
Encountering an ‘alien’ or unfamiliar object in some little-known Indian collection, or an Indian inscription in the unlikeliest of artwork speaks volumes about how objects of art travel across the world. Prof. B.N. Goswamy attempts to uncover the mystery of Devanagari engravings on French…
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B.N. Goswamy
Chamba rumals—which were used chiefly as decorative coverlets for platters filled with gifts in the hilly regions—started disappearing because of changing tastes and the availability of cheaper substitutes. Here, Prof. B.N. Goswamy writes about these Pahadi treasures, and the initiative to revive…
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